You are listening to "Desafinado" by A.C. Jobim
My Musical Background
This page contains a brief history of my musical background. Here you will find the seeds of my interest in music, my musical training, my humble accomplishments, and my goals for the future. Search below for that elusive fact you're just dying to know.
Beginnings
My first guitar was a tennis racket?! My brother and I did a Beatles imitation. I was John and he was Paul. We used to "strum" and sing along with their records, dance around, shake our closely cropped heads, the whole bit. My parents probably never laughed so hard in their lives.
Dan got a real guitar first, and joined a couple of his neighborhood friends in a little band, Of course, I had to have a guitar too, a twelve string just to be different. I goofed around with it, took a couple strum and sing lessons at the YMCA, but made no real connection with it just yet.
We both sang in the church boy's choir, where I was always fascinated by the magical power of the church organ. I made up my own versions of Bach organ preludes on the Hammond B-3 we had at home. I also played "House of the Rising Sun" (by The Animals) and "A Whiter Shade of Pale" (Procol Harum) and took two lessons from a well-meaning little old lady, who gave me "Tenderly" and "Old Calcutta" to learn. I wish I'd heard Jimmy Smith around this time. I also played trumpet in the school band for about a month or two.
Every week, I listened to the Top 25 countdown to keep track of my favorite recording artists: the Beach Boys, Paul Revere and the Raiders, the Kinks, the Animals, Dave Clark Five, the Byrds, Joni Mitchell, CSN&Y, Sam & Dave, Otis Redding, all the Motown, just to name a few. There I was, an innocent little guy, just minding my own business, when...WHAM!!!
I learned that a guitar could be more than just a rhythm instrument. I was hooked on feedback and the wah-wah pedal and phase shifters and fuzz box and echoplex and the whole crazy madness. I began to become a real musician, and not just another kid with a guitar.
I remember doing a catholic school graduation once and the kids went crazy! This was my first taste of "fame" (a small, but enticing taste) and I liked it! We partied (perhaps, a little too much), were always jamming and learning new tunes (Hendrix, Johnny Winter, Foghat, the Allman Brothers, Chuck Berry, the Butterfield Blues Band, Cream, the Rolling Stones, and the like), had lots of "groupies" (well, I did for sure!), and had a hell of a good time!
I grew my hair down to my waist, spent my days at the beach, and nights playing music. It was one of the greatest times of my life and I'd go back and do it all over again without hesitation!!! The Nobodies eventually faded into obscurity, but one fortunate day, a whole new kind of music grabbed at my ear.
I discovered instrumental music and its ability to conjure up emotions, capture mood and atmosphere, and effect the human heart and soul. It was a powerful discovery that now, completely refocused my thinking about music. No longer the young rock hero, I was now moving on to the more powerful and serious side of music-making!!!
I enrolled in college in Santa Cruz (Cabrillo Junior College) and took basic piano, jazz improv, music writing and copying, jazz theory, and ravaged their music library. I walked in virtually blind and came out with at least a clue as to what was going on.
A few years later, I enrolled at UC San Diego and studied with Jimmie Cheatham for three years. Again, I studied jazz improvisation, history, music theory, composition, arranging and performance, but more seriously this time.
I had a wonderful experience there, writing for, rehearsing, and conducting the big band as well as our 5-piece combo, I graduated in 1985 with a BA specializing in Jazz Composing, Arranging, and Performance. The small group "Just Five" made a stab at turning professional, and we did get a few gigs, but never really got off the ground.
Becoming disillusioned with things and not making enough money to live on, I put music on the back burner temporarily and went through a period of menial jobs, confusion, and disgruntlement.
While he was at his day job, I wrote music with the sequencer and made some tapes. I was hooked!!! This was a whole new approach to music writing and I was inspired to get back into being a musician. Returning home to San Diego, I rented keyboards and wrote more music.
I spent virtually all my free time composing, arranging, and learning more about the creative process and myself as a musician. Eventually, I was able to purchase my own machine, oddly enough an Ensoniq like my brother had, and wrote a whole bunch of music.
I would enjoy hearing from everyone who stumbles onto this site, so feel free to e-mail me with any comments, critique, advice, or guidance and thanks for listening!!!!!
Further inquiries should be sent to
MidiMarvl